SOUND DESIGN — MIX ENGINEERING
Sound Designer & Mix Engineer
Sound designer based in Amsterdam — shaping sound for games and screen, and mixing and mastering full productions.
02 — SOUND DESIGN
Original scores and sound design for film, branded content and interactive media — every sound built with the mix already in mind, from the first foley pass to a final balance that sits right in the room it's played in.
Score and sound design built from the visual edit outward — laying out a timeline for the score, settling on the sonic aesthetic, and mapping out the key sounds to design. The aim was a score that reaches for emotion without ever crowding the frame, leaving room for the voice.
A showreel built for Lifetouch, developing the UX sound design for an electric vehicle — shaping the motor tone, interface feedback and click sounds into a single cohesive experience.
Personal reinterpretation of Playdead's Limbo — original sound design and Wwise implementation, made independently and not affiliated with or endorsed by the developer.
The idea was to make the gameplay itself more sonically expressive — orchestral elements, like solo violin for the spider boss, bring key moments to life. The result works as a real score that evolves over time and reacts to in-game events, rather than a static loop. Personal project.
03 — PRODUCTION & MIXING
Sound design and mixing aren't two separate crafts — every sound gets designed with an ear for where it'll sit in the mix, and every mix decision draws on the same instinct that shaped those sounds to begin with. Knowing the tools well enough that they disappear is the constant across both, so the only thing left to chase is how the piece actually feels: technically precise, but true to what it was meant to be.
04 — BIO
Bass and guitar player before anything else — that's where the ear for music started. Graduated from SAE Institute in Milan, now working freelance as a mix engineer and sound designer, alongside a role as audio and lighting engineer at Bret, one of the pillars of Amsterdam's electronic club scene. Music and art, more broadly, are where most of the curiosity comes from.
Studio credits include an internship at Fonoprint. Live sound credits at Bret include MauP, Luke Dean, SlapFunk and Disco Tehran, among others.
STUDIO & TOOLS
05 — CONTACT
Available for sound design and mixing work — games, screen and music, worldwide.
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